iPlaytime on line?

The way we are watching television is changing and many of us are now choosing to watch online; this is particularly popular with the under twenty-fives.   In this brave new world neither the watershed nor Ofcom’s broadcasting code apply.

This week the new regulator for on demand television, The Authority for Television On-Demand (ATVOD), cleared Channel 4's video on-demand service for offering a controversial episode of Frankie Boyle's Tramadol Nights.

The episode featured a range of derogatory ‘jokes’ about celebrities such as Jade Goody, Heather Mills, Michael Jackson, Katie Price and Susan Boyle.  Ofcom received around 50 complaints about the programme, including one from Katie Price, who accused Boyle of being a "bully" over comments made about her disabled son Harvey.

Statutory rules for VOD content are significantly less strict than those for TV broadcasts, and do not currently prohibit programming that is deemed offensive. In cases where content "might seriously impair the physical, mental or moral development of persons under the age of eighteen", providers must make efforts to prevent young people from accessing the material.

ATVOD ruled that Tramadol Nights would not seriously impair the development of under-18s and so decided not to take any further action.  ATVOD chair, Ruth Evans, said "Many viewers may regard the material as highly offensive, including to people with disabilities, and unsuitable for under-18s, but providing such content to under 18s is not a breach of the rules set by parliament if it does not fall foul of the 'might seriously impair' test."

Last year we asked for another piece of Channel 4 VOD content to be removed.  This featured violent footage – including a man having a nail hammered into the skin between his thumb and finger and then extracted – but we were told this content would not seriously impair a child either.

We have previously highlighted the fact that children are easily able to access post-watershed content online at any time of day unless their parents have set up parental controls (and Ofcom’s research shows us that most parents haven’t).  This means that little more is required to view post-watershed content than a tick in a box to confirm the user if over 18.

It is bizarre that broadcasters are, quite rightly, unable to broadcast certain material ‘on air’ until after the watershed but are quite free to broadcast the same material over the internet at any time without there being adequate protection mechanisms in place.

We submit that post-watershed material should only be available to viewers who have been subject to a more rigorous age-verification check than the current tick box system on offer.  We would like to see a PIN number which could be provided by the viewer’s internet service provider, telephone company or the TV licensing body each of which need to paid for, in the vast majority of cases, by an adult.  We believe that there are feasible steps that can and should be taken by broadcasters to control access to post-watershed material by children.

Lads' Mags Banished to the Top Shelf

Tesco, Asda, Sainsbury’s, Morrisons, the Co-op group and BP petrol stations have all agreed to put magazines with sexually explicit front cover images behind plain covers or banish them to the top shelf.

Frustratingly WHSmith will not be following suit.  The group’s current policy “requires men’s lifestyle magazine titles be displayed at minimum height of 1.2 metres, equivalent to the average adult chest/shoulder height” but fails to recognise that chest height for an adult is often eye-level for a primary school child.

This is great news but the display of sexually explicit covers is still an issue; A recent Mumsnet survey found that 82% of parents had seen covers displayed where children could see them, often on the lower shelves of newsprint. 

The survey found that individual newsagents, rather than the big chains, were the biggest offenders.  It’s clear that consumer pressure is having an effect so if you’ve seen a display that consider inappropriate please make your views known.  We have worked closely with the Front Page Campaign on this issue and we have come up with an easy way for you to complain if you have seen a newspaper or a magazine with a sexually explicit cover which has been inappropriately displayed.

• If you’re not sure how to go about complaining
• If you’re worried about speaking out.
• If you’ve tried to complain but the response has been unsatisfactory

By filling in an online complaints form here we can raise your concern with the retailer on your behalf and we can also keep a record of how widespread this problem actually is. 

The sexually graphic material on the covers of newspapers and magazines displayed at the eye level of children is just one contributing factor to the premature sexualisation of children which we are seeing in our society. 

The Government has asked Reg Bailey to look into the sexualisation of childhood and he is seeking the views of parents, grandparents and other carers and also those who work with children in a professional capacity.  If you would like to feed your views into the consultation and you’ve not done so already you can do this here.  You have until Friday 18^th March to make your views known.

Porn Again

If you didn’t catch the programme by the former Home Secretary, Jackie Smith, about pornography on Thursday you can listen to it here. You’ll need a strong stomach as the programme includes some explicit material.  However it makes fascinating listening and Jackie Smith does make some very interesting points – not that we agree with all of them.

Education or titillation? Part 2

Numerous people wrote to Ofcom and Channel 4 expressing their concern about The Joy of Teen Sex.  This week their concerns were echoed those of health professionals and youth workers including Dr Stuart Flanagan, who features on Radio 1's Sunday Surgery, and agony aunt Dr Petra Boynton,

They said the programme’s producers had not acted responsibly and they expressed a number of concerns about the programme’s content including the use of incorrect information and unreliable statistics and inadequate attention to respect, romance and affection.

They wrote: “We are concerned the Commissioners and Channel Four have not shown due diligence over this series. It seems to be fitting a pattern of programme development where viewing figures are prioritised over empowerment but where programmes are still marketed as ‘educational’.”

It has also emerged that the programme's resident "sex coach" is actually a sex-toy saleswoman and the presenter, who was initially billed as a social worker, is now referred to as having a degree in social work: she isn't yet in receipt of her social work qualifications.

We must protect children from online porn

On Monday 7^th February the Minister for Culture, Ed Vaizey will be meeting with Internet Service Providers to discuss blocking pornographic sites at source to protect children from viewing them.  Any adults wishing access such sites would have to specifically ‘opt in’.

Pornography has a profound and negative effect on children shaping attitudes and values that contribute to the objectification of women, increased sexual risk taking and the relaxation of boundaries of sexual violence.

We know that an increasing number of children in this county are being referred to addiction clinics with pornography related issues and yet at no point in history has it been easier or cheaper for children to access a ready supply of pornography. The bottom line is that we are raising a generation of children growing up with easy and unimpeded access to the entire panoply of human perversion and sexual deviation and we can only guess at the impact of such free access on the society of the future.

This ready access to pornography by children is not always sought out; research has found that children experience unwanted exposure to sexual material from activities including innocent word searching, clicking on a link in another site, misspelling a URL or via a pop up.

Although the managers of websites featuring adult content have a legal responsibility to indicate clearly on their front pages that their sites are unsuitable for children under 18, in practice this offers little protection and is likely to incite a curious child to investigate further.  The online gambling industry has introduced workable age-verification restrictions but no such protections exist to prevent children from accessing harmful pornography.

It is anomalous in the extreme that whilst, quite rightly, regulations exist to protect children from inappropriate television broadcasts, cinema films, advertising and newsagents’ displays no such protections exist online.  Even the mobile phone industry has produced a model restricting access to adult material subject to age verification.   

It is time to recognise that the internet is a mature medium and it is no longer appropriate that it should be seen as some kind of ‘wild west’ where anything goes.  The internet has reached the age of majority; it is time it grew up.

There is a suggestion that it is entirely the responsibility of parents to safeguard their children from harmful imagery and yet many parents say that they are not confident in their ability to install a filter.  As a society we owe a duty of care to children whose parents cannot or will not protect them.   

The six largest ISPs in the country control in excess of 90% of the market.  With revenues of more than £3 billion annually these companies must share the responsibility for protecting children online.  We support the proposal for an ‘opt-in’ system to block adult sites at source unless specifically requested.

We understand that it is unlikely that any system proposed could be 100% effective but we submit that filters must be as comprehensive as possible. Any level of protection is better than the current voluntary system on offer.

Education or titillation?

At the end of the last week we watched an advance preview of a programme which will be broadcast on Channel 4 next Wednesday, The Joy of Teen Sex.

This programme will be broadcast post watershed at 10pm and, according to Channel 4 ‘it offers a frank exploration of the love and sex lives of today's teenagers - presenting solutions to the emotional and physical problems many of them experience.’

The programme’s muddled message begins with the presenter pointing out that sex under the age of 16 is illegal.  She says “the age of consent is there for a reason and I believe we should wait until we are at least 16 to lose our virginity but we can’t pretend that teenage sex isn’t happening” and then goes to explain that we should ‘embrace teenage sex’ and make it ‘enjoyable’.

Perhaps this is the aim but, having seen the programme, we consider it crosses the line into prurience, with graphic scenes that can only be described as pornographic and of very little educational value.  Our concern is  that this programme has more to do with titillation and ratings than offering advice of real value; it doesn’t have to be this way as the BBC’s ‘Dangerous Pleasures’ season, which is aimed at young people and has tackled subjects including drugs, alcohol and sex intelligently, has shown.

The programme includes explicit images of lesbian intercourse in a section in which a 17 year old is shown ‘some more tricks to pleasure girls’.  The presenter expresses her concern about the pressure applied to teenagers to have sex; however this is exactly what the programme is doing.

At a time when, as a society, we’re having a serious debate about the premature sexualisation of children, there is a real question about the role which programmes like this take in the creation of the hypersexualised society which our children inhabit.

The last word must belong to the editorial from the Sunday Express.  Writing about this programme the paper says:

‘A researcher for Mediawatch, who has seen the material, says: “It’s soft porn aimed at arousing the audience.” She is right. Sex education is a serious issue but is C4 interested in helping shy teenagers come to terms with sex or is it just after a cheap thrill to boost viewing figures?

The subject does not need graphic human illustration to make a serious point. By including them, the show will simply arouse those in search of a cheap thrill, the very opposite of the message that a programme like this should be making.’

Soap Operas: Education or Entertainment?

The controversial EastEnders storyline in which a character is seen discovering her baby son dead in his crib and then swapping him for the newborn baby of another character has resulted in over 6,000 complaints to the BBC that the storyline is offensive and sensational.

To avoid accusations of sensationalism, EastEnders producers claim to have worked with the charity, the Foundation for the Study of Infant Deaths although the organisation’s website states: ‘Despite the continuing statement… by the BBC that "FSID were consulted on the storyline...", FSID had no involvement in the planning or adoption of the specific 'baby-swap' plotline.  The behaviour and actions of Ronnie Mitchell are in no way 'endorsed' by FSID as a typical, or even likely, reaction of a bereaved parent.’

Anne Diamond, who lost a son to cot death, said: ‘I was shocked to find cot death itself is no longer dramatic enough for today's screenwriter.  This… hasn't done one iota of good in educating a young audience about cot death.’  Website Mumsnet has also criticised the broadcast as ‘at best… ill-informed, and at worst ... a cynical ploy to make headlines by creating deliberate controversy’.

The BBC has sought to justify the episodes by pointing out that they broadcast an action line number for those affected by the programme.

Soap opera storylines are defended because they make people aware of issues, last year the Government was even reported to be working with soap opera producers on promoting health messages.  And yet for years broadcasters have been telling us that what they produce is entertainment and has no effect on those who consume it. 

They can’t have it both ways; are soap operas for entertainment or are they for education?

In the words of writer and broadcaster Bel Mooney ‘no one who writes scripts for mainstream TV can ever afford to forget that images have a greater power even than words, and that the combination can be deeply ­disturbing. They have to get it right.’